Creative Hourly / For events and communities

You are building
the night.

Gatherings, festivals, dance floors, markets, retreats. The hard part is the room full of people, and you are also the one making the flyers at midnight.

Clear My Backlog

Five hours is $250. Ten hours covers an event shoot and the edit.

01 / What usually gets dropped

The promotion,
every time.

01

Last year's footage.

Hours of it, on a drive, never cut. The best proof you own of what the night feels like.

02

A ticket page that is a link.

No page that carries the feeling, so people are deciding from a flyer and a word of mouth description.

03

Vendors left to fend.

Ten small businesses in your field with nothing to post, when their reach is your reach.

02 / What we do

Turn the night
into the invitation.

  • Short vertical cuts

    From footage you already own. Readable with the sound off, consistent enough to work as a set, built to be posted not archived.

  • An event page that holds it

    Date, place, what it is, who is playing or vending, and a way to buy without leaving the feeling behind.

  • Filming on the night

    A ten hour block covers a shoot of roughly five hours and the edit that follows it.

  • Assets for your vendors

    One set of graphics your whole lineup can post, so the promotion is not all coming from your account.

  • The deck for what comes next

    If the event is a step toward land, a venue or investment, the pitch materials are the same kind of work.

03 / Why a second voice helps

Your editor
is not wrong.

Most organisers already have someone cutting video, and that is usually not the problem. The problem is that one voice reaches one kind of person. A different eye on the same footage reaches people your existing material does not, without anyone being replaced.

See a current example.

Send us the drive.
We will send back the first cut.

Delivered one at a time as they are finished, not all at the end.

Clear My Backlog