Start Right client work for Hempfinity Farms, 2020. All work

Client film · Hempfinity Farms · 2020

One family’s land. Twenty-seven minutes.

A documentary portrait of the farmer Patrick Brown, made on the land his family works. Directed, shot and edited by Will Mosley.

The farm from straight above: curved bands of soil and rows of young plants
The planted rows from straight above, from the film’s opening minute.27:32 · 2020
  • 27:32running time, published on YouTube October 1, 2020
  • 105shots, counted by scene detection on the film file
  • 13.7sthe median shot, long enough to stand in a field
  • 2:1a wide frame, 1920 by 960, made for the land

Also measured

1:01

the longest single shot, held without a cut

How each number was counted 5 of 5 sourced
  1. 27:32

    Running time on YouTube, where it was published October 1, 2020. The film file itself measures 27:31.1.

    Nov 5, 2026

  2. 105

    Scene detection run on the film file, counting every cut.

    Nov 5, 2026

  3. 13.7 s

    The middle value of those 105 shot lengths: 13.72 s, rounded.

    Nov 5, 2026

  4. 2:1

    Read from the film file: 1920 by 960, a frame twice as wide as it is tall.

    Nov 5, 2026

  5. 1:01

    From the same scene detection: 60.8 s, the longest of the 105.

    Nov 5, 2026

The film, cut down

The farm, in six, fifteen or thirty seconds.

The farm from the air, the planted rows, Patrick Brown in his field, the tractor, the greenhouse and the hose reel

01 · The land

Start with the whole farm.

Before anyone speaks, the camera goes up. Fields, tree lines, the road and the rows set the place the rest of the film stands in.

Farm country from the air under an overcast sky: fields, tree lines and a road
Green fields curving around a pond, from the air
A long view over fields and woods toward the horizon

02 · The rows

Rows you could count from the air.

Straight down, a planted field turns into a drawing: curves of soil, lines of young plants, the tracks between them.

Curved bands of soil and planted rows from straight aboveA field of young plants in diagonal rows, from straight above

03 · The farmer

He walks the rows. He tells it himself.

Patrick carries the film in his own words, out in the field and beside the hoop house, with the work going on around him. The family who work the land with him tell it too, standing in the work.

Patrick Brown walking down a row in his field
Patrick Brown talking to the camera beside a hoop house
At the wheel of the yellow tractor, a red tractor and the fields behind
Talking to the camera outside the hoop house

Moving frames play without sound. The film itself is below.

04 · The machines

Iron, rubber and red paint.

Between the words, the film looks closely at the tools a farm runs on: the old tractor, the discs, the hose on its reel.

Worn red paint on an old International tractor
A row of black harrow discs
A red hose coiled on a reel
A tractor steering wheel and red lever against the sky
The gears and shafts of an old tractor

05 · The cut

105 shots, held long.

Every bar below is one shot, as wide as it runs on screen. Most of them are held, the way you would stand and look at a field.

Each bar is one shot, in film order

Counted with scene detection (ffmpeg, scene score over 0.35) on the film file. Will’s own shot sheets for the film also list 105.

06 · Two films

One visit. Two films.

The same visit to the farm also made a 3:32 fundraising short, built to be sent: named cast, a named location and a clear purpose, made in association with Pisgah Peaks Ventures. The documentary is the long version, made to simply show what is there.

See the Pisgah Peaks Ventures films →
Patrick Brown kneeling at the edge of the field, mid-sentence
The short is titled inside ParentPreneur, Will’s own series on parents building businesses.

07 · Watch

The farm, in 27:32.

Watch the film on YouTube ↗

Your Team

A shoot is one more fire.

Shoots and editing count as fires like any other work.

CreditStart Right client work: Pisgah Peaks Ventures contracted Start Right to shoot this film about Patrick Brown’s farm for Hempfinity Farms. Directed, shot and edited by Will Mosley. Published on Will’s channel in 2020. A 3:32 fundraising short from the same visit, filmed at Hempfinity Farm in association with Pisgah Peaks Ventures, is titled inside ParentPreneur. No amount raised, audience or result is claimed, and nothing here describes or endorses any product of the farm. Footage and marks are Hempfinity Farms’.