“You really know how to make a grown women cry. The site looks just beautiful. Something I have wanted to tackle for a long time. Your skill level and professionalism is something to marvel at.”Anne Willis, de la terre Skincare
Start Right client work for The Celestial Collection. All work

The Celestial Collection · Film · 2026
78 camera files in. Fourteen minutes out.
A documentary portrait of the artist Chasity, made for The Celestial Collection. Will directed, shot and edited it, from her kitchen and her drive across town to the studios and galleries she walks into.
- 78camera files in the project, every one dated May 21, 2024
- 14:19running time, published on YouTube March 2, 2026
- 138shots, counted by scene detection on the final file
- 2.9sthe median shot, cut to keep pace with her day
Also measured
1:27
the longest single shot, held without a cut
How each number was counted 5 of 5 sourced
78
Counted in the project’s camera folder: 78 original files, all dated May 21, 2024.
Nov 5, 2026
14:19
Running time on YouTube. The final film file itself measures 14:18.3.
Nov 5, 2026
138
Scene detection run on the final film file, counting every cut.
Nov 5, 2026
2.9 s
The middle value of those 138 shot lengths is 2.855 s. The page rounds it to 2.9 s.
Nov 5, 2026
1:27
From the same scene detection: 86.8 s, the longest of the 138.
Nov 5, 2026
01 · At home
Following, not staging.
It starts where her day does. Much of the film is shot handheld beside her, in the kitchen, behind the wheel, walking into a gallery. The camera keeps pace with her day instead of arranging it.

02 · The road
Much of it happens on the way.
The camera rides beside her. Between one room and the next, she talks it through behind the wheel, and the film lets her.


03 · The rooms
Into the galleries, and back out.
Handheld and close, the film follows her into the city’s gallery spaces and out onto the street to talk about what she saw. Speaking straight to camera, she carries the argument of the film, and plain walls with steady framing keep the attention on what she is saying.


04 · Other hands
Other artists, other hands.
The story widens to the makers around her. A paper marbling studio gets its own scene: ink floating on the bath, combs drawn through it, color lifted off.


Moving frames play without sound. The film itself is below.
05 · The record
From the camera card to the channel.
Three dates, each read from the files themselves.
- Camera filesMay 21, 2024
All 78 files in the project carry this date.
- Final exportJan 12, 2026
The finished film is written out.
- PublishedMar 2, 2026
Live on YouTube, 14:19.
06 · The cut
138 shots in fourteen minutes.
Every bar below is one shot, as wide as it runs on screen. The pace is quick where she is moving and opens up where she stops to talk.
Counted with scene detection (ffmpeg, scene score over 0.35) on the final export.
Start Right Care
A shoot is one more fire.
Shoots and editing count as fires like any other work.
CreditStart Right client work for The Celestial Collection. Directed, shot and edited by Will Mosley, and published on Will’s channel in 2026. Chasity appears as the film’s subject. No result is claimed.




